In this provocatively original post, our member Rabbi Steven Ettinger ties together superficially diverse strands of thought found in parashat Tazria, several Chasidic masters and The Truman Show. For more, read on.
There are moments in the Torah when something profoundly consequential is introduced almost quietly, as if the text itself is reluctant to draw attention to it too quickly. The opening of parashat Tazria is one of those moments. It speaks of birth—of the emergence of life into the world—but it does so in a way that is both direct and restrained. There is no extended narrative, no dramatic framing. Instead, there is a simple acknowledgment: something has come into being, and with that emergence comes a process.
But the Torah’s concern here is not only the moment of birth itself. It is what surrounds it—the period before and after, the transitions that are not immediately visible but are no less real. The language of impurity that appears in this context can easily be misunderstood if taken superficially. It is not describing something degrading or undesirable. Rather, it is pointing to a state of intensity, of transition, of movement between hidden and revealed life. In those first moments, what has emerged is still not fully settled into the world. There is a kind of distance between existence and recognition, between being and being known. The Torah seems to be asking us to pay attention to that space—not only to the visible arrival of life, but to the quieter process through which it becomes integrated, acknowledged, and understood.
This
sensitivity to beginnings—especially those that are not yet fully
visible—appears repeatedly in the teachings of the Hasidic masters. The Baal
Shem Tov speaks of the significance of the reshit, the beginning, not as
a fixed point in time but as a continuous reality. Every moment contains within
it the possibility of beginning again, though that beginning may not yet be
apparent. It exists first in concealment, as a potential that has not yet taken
form.
The Sfat Emet, reflecting on this parashah (Tazria 5643), suggests that what appears in the world is always preceded by something deeper that remains hidden. The visible is only the final stage of a longer process. What we encounter outwardly has already been forming beneath the surface, gathering coherence before it reveals itself. And because of this, the Torah’s attention to these early stages is not incidental. It is essential. If one wishes to understand what is revealed, one must learn to recognize what precedes revelation.
There
is something deeply human in this as well. Much of what defines a person does
not begin in visible action. It begins in thought, in inclination, in quiet
internal movement. These early stages are often overlooked precisely because
they are not yet concrete. But they are no less real. And in many ways, they
are more formative than what eventually appears.
This
dynamic—of something forming beneath the surface before it becomes
visible—finds a striking expression in The Truman Show (1998), directed
by Peter Weir. The film presents the life of Truman Burbank, a man who appears
to be living an ordinary life in a carefully constructed seaside town. What he
does not know is that his entire existence has been staged. Every interaction,
every relationship, every detail of his environment has been orchestrated for
the sake of a global audience.
At first, Truman accepts his world as given. There is no reason, from within his experience, to suspect otherwise. But, gradually, small inconsistencies begin to appear. A light falls from the sky. A radio frequency seems to describe his movements in real time. People repeat patterns that feel slightly off. None of these moments, taken alone, is conclusive. But, put together, they begin to create a sense that something deeper is at work, something not yet fully visible but increasingly difficult to ignore.
What
is striking about these moments is their subtlety. The truth does not arrive
all at once. It emerges slowly, almost reluctantly, through hints and
fragments. Truman does not immediately see the full picture. Instead, he begins
to sense that what he sees is not all that there is. There is a growing
awareness that precedes understanding—a recognition that something is unfolding
beneath the surface of his experience.
One
of the most powerful scenes in the film occurs when Truman begins to test the
boundaries of his world. He deviates from expected patterns, drives
erratically, observes the reactions of those around him. The environment
responds, but not seamlessly. There are cracks—small, but revealing. In those
moments, Truman is not yet fully aware of the truth, but he is no longer fully
contained within the illusion. He stands at the threshold between what is
hidden and what is revealed.
This
threshold is precisely what the Torah is pointing toward in its discussion of
beginnings. Not everything that exists is immediately visible. Not everything
that is forming has yet taken shape. But the process is real, and it leaves
traces. The question is whether one is attentive enough to notice them.
The
Mei HaShiloach teaches that truth often begins as a disturbance—a subtle sense
that something is not aligned. It does not present itself as a fully formed
conclusion. It appears as a question, a hesitation, a moment of uncertainty.
And it is in that moment that one is given a choice: to ignore the disturbance
and return to familiarity, or to follow it, even without knowing where it will
lead.
There
is a story told about Rabbi Levi Yitzchak of Berditchev that captures this
sensitivity to beginnings. A man once approached him, troubled by a persistent
feeling that something in his life was not as it should be. There was no clear
problem, no identifiable crisis—only a quiet unease that he could not explain.
He had tried to dismiss it, to continue as usual, but the feeling remained.
Rabbi
Levi Yitzchak listened and then asked a simple question: “When did you first
notice this?”
The
man thought for a moment and described a seemingly insignificant incident—a
conversation, a reaction, something that had unsettled him slightly but that he
had not taken seriously at the time.
“That,”
Rabbi Levi Yitzchak said gently, “was the beginning.”
The
man seemed confused. It had been such a small moment, barely worth noting.
“Beginnings
are always small,” the rabbi continued. “If they were not, they would not be
beginnings.”
The
point was not to magnify the moment, but to recognize it. What had appeared
insignificant was, in fact, the first visible trace of something deeper that
had already been forming. And if one wished to understand what was now
unfolding, one had to return—not to the external event itself, but to the inner
movement that had preceded it.
In
this sense, the Torah’s attention to the earliest stages of life is not limited
to birth. It is a broader invitation to notice what is forming before it
becomes fully visible—to pay attention to the beginnings that are easy to
overlook precisely because they do not yet demand attention. There is a quiet
discipline in this kind of awareness. It requires patience, humility, and a
willingness to engage with what is not yet clear.
And
perhaps most importantly, it requires trust—that what is forming beneath the
surface is not random, not meaningless, but part of a process that, if followed
with care, will eventually come into view.


